D779n30. The ninth first appears in the pickup to bar 5, then is repeated as part of a simple arpeggio (notably without ^7) and is easily heard to resolve as ^6-^5 over I in bar 6.
D365_n12. We hear V9 unequivocally in bar 2, but there is no ^5 in bar 3 (we would have to imagine it). But there is no doubt in bars 6-7, where the figure is repeated an octave higher and the ninth resolves on the strong beat of bar 7. Note that the second inversion of I counts as a harmony for resolution of the ninth -- Schubert was quite fond of dominant pedal points, especially in his early Laendler, and he put all sorts of melodic figures above them.
D779n17. A textbook case of a true V9 harmony resolving directly, with a 6-5 figure over I.
D779n2. Almost identical to the preceding, except that the V9 is more strongly defined.
D365_n30. Like the above, and repeated on the dominant level at the beginning of the second strain.
D779n20. Like the above.
